In a flute ensemble, sound isn’t just about who plays the highest line. It’s about blend, contrast, and depth. The richness of the group depends just as much on the low voices as it does on the lead. That’s where alto and bass flutes come in. They expand the range....
Have you ever tried playing a piccolo that felt stiff, shrill, or refused to sing? Your piccolo should complement your performances—in a symphony, a marching band, or a jazz ensemble. Selecting the right piccolo should lead your performance, not the other way around....